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God, Homeland, Family God, Homeland, Family
Kamra

God, Homeland, Family

Director ← Jakab Tarnóczi

Premieres ← 2021-10-16

Playtime ← 3 hours 40 minutes, two intervals

– triptichon –

Based on the works of Aeschylus, Euripides, Sophocles by Zsófia Varga and Jakab Tarnóczi

Where did the warfare start? Is there a point zero where the story can be changed, or must everything be as the ancient curse says: “Wretched sons are the sons of sinners, what their children inherit is lost, and their offspring are a disgrace. When they are born, they are born to a curse, and when they die, they are born to a curse”?

The play follows the story of a family riddled with silences and misunderstandings. The viewer becomes part of a marathon theatrical experiment: a series of plots spanning decades and generations. What leads the children to turn on each other? Are the ancient curses true, or do we fulfil them by invoking them to absolve ourselves? Who is to blame? Is it important who is to blame? Is there a way out of the complex web of resentments?

 

The performance is recommended for children over 16.

Due to the varying seating capacity of the performance, seating is on a first-come, first-served basis.

Please leave the auditorium at the interval.

Loud sound effects during the performance may disturb the audience.

Coming up


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October 31

Saturday 18:00


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November 4

Wednesday 18:00


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2 9

November 29

Sunday 18:00

Videos


Creators


Dramaturg: Zsófia Varga
Jelmez: Ilka Giliga
Díszlet: Botond Devich
Zeneszerző: Levente Bencsik, Máté Hunyadi
Hang: József Horváth
Fény: Antal Lohár
Koreográfus: Kristóf Widder
Videó: Marcell Török, Réka Nagy
Norvég fordító: Zsófia Domsa
Kellék: Vera Fejes
Súgó: Anita Boncza
Asszisztens: Gábor Hornung
Rendező: Jakab Tarnóczi

Colleagues

Tóth László, Bokor László, Botka Zoltán, Papp Gergő, Pető Sándor, Tőzsér Gábor, Kormány Kristóf, Balogh Attila, Nedár Barnabás, Wirth Tamás, Ignácz Éva, Gáspár Viktória, Pintér Mária, Szeberényi Lejla, Kelecsényi Bernadett, Tamási Anna, Szívós Tamás, Hűgel Katalin
Special thanks to Lehel Kovács.