Revizoronline.hu - Urbán Balázs
In Line Knutzon's play, The Builders, an intellectual/artist couple long for a quiet, beautiful home. Or rather, Alice, the wife, longs for it, but Manfred, the musician husband, doesn't care, so he leaves her to do whatever she wants. But the deadline for completing the construction is always changing, something always breaks down or someone finds another fault, other problems are never solved - but they have to pay again and again. The craftsmen are part crooks, part cheats, possibly both cheats and crooks, headed by the foreman, who carries the material that is constantly being stolen from the house to other construction sites. [...] The drama undoubtedly draws on life experiences (probably the experiences of all of us), but it does not process them realistically, but presents them in a basically farcical manner.
Art7.hu - Kállai Katalin
This daily inescapable set of problems, which, between us, threatens the functioning of the economy, can be turned into a serious social discussion paper, a lace-work farce or a dystopian vision of the future. Knutzon decided to put his all into it. A little bit. ialogues from a farce, stage situations from the reality of society's deformed functioning, and quite a bit of horror. Alice and Manfred, who have made the worst decision of their lives (starting a building project), and their friends celebrating their home in the making prematurely, start from a comedy situation. This line is reinforced by the over-caricatured, more or less Eastern European appearance and the exaggerated characters of the sleepy Saki, who permanently disturb their tranquillity.
magyarnarancs.hu - Kiss Annamária - a teljes cikk a nyomtatott lapban olvasható
Kutszelistilus.hu - Kutszegi Csaba