Ugrás a fő tartalomra
Directed by Tamás Ascher
Written by Brian Friel
Premiere 18 December, 2021
Duration 2 hours 35 minutes, with one interval

Based on Turgenev's novel


Translated by: Enikő Perczel

 

The "ten commandments" of the nihilist Dr Bazarov:
"Love does not exist There is nothing mystical about sexuality. There is nothing mystical about love. Or chemistry. It's nonsense to put all this kitschy bullshit on it. The troubadours were insane. If you want a woman, get her. If she resists, find another. Take Dr. Bazarov's advice: there are as many women as there are eyes."

Turgenyev's emotional, twisting story of what seems like two generations
of the confrontation between two generations, but in fact of the ever-changing relations, ideological
ideological debates, self-deception, compromise and repressed desires.
Young Bazarov is sharp and determined, provoking everyone, provoking everyone
but he cannot defeat himself.

Turgenyev portrayed the opposing sides of the conflict objectively, even sympathetically.
generations, yet he managed to offend everyone. In every mirror
in every mirror was a distorted image. The Chekhov adaptations and the audience of The Soldier
Brian Friel, known to the viewers for his The Dance of the Dogs, condenses and highlights,
suggests and disturbs."

 

The Agency (London) Limited (24 Pottery Lane, London W11 4LZ e-mail: info@theagency.co.uk) and Hofra Ltd. have brokered the licence for Brian Friel's heirs.

Next performances

The performance is currently not on our programme.

GALLERY

 

Cast
Yevgeny Bazarov, nihilist Vizi Dávid
Arkady Kirsanov, nihilist Tasnádi Bence
Nikolai Kirsanov, father of Arkady Máté Gábor
Pavel Kirsanov, brother of Nikolai Fekete Ernő
Vasily Bazarov, father of Yevgeny Kocsis Gergely
Arina, Yevgeny's mother Szirtes Ági
Anna Odintzova, widowed landowner Jordán Adél
Katerina, Anna's sister Veszelovszki Janka m.v.
Princess Olga, aunt of Anna Csoma Judit m.v.
Fenichka, housekeeper at Kirsanov's Mentes Júlia
Dunyasha, a maid for the Kirsanovs Pálmai Anna
Prokofjich, butler at Kirsanov's Szacsvay László
Pyotr, serving with the Kirsanovs Lengyel Benjámin
Timofeich, serving at Bazarov's Ujlaki Dénes
Programme guide
Crew
Set design Balázs Juli
Costumes Szakács Györgyi 
Lights Bányai Tamás
Dramaturg Enyedi Éva
Music Kovács Márton
Sound design Vajdai Vilmos
Assistant to set designer Csoma Gabriella
Prompter Schaefer Andrea
Stage manager Héricz Anna
Assistant to director Tóth Judit
Director    Ascher Tamás
Reviews

Szinhaz.net - Rádai Andrea
Népszava - Balogh Gyula

Élet és Irodalom - Molnár Zsófia
 (a cikk a reklám megnézése után olvasható)
Dionüszosz Magazin - Szekeres Szabolcs

Art7.hu - Bóta Gábor
"A beautiful, tangled, human teleplay, performed by the Katona actors under Ascher's "direction" with the coordination of a fine musician playing a complex piece of music with refined sensitivity. The grey-walled, spacious, cool-looking yet coldly featureless house, designed by Juli Balázs, depicts the bleakness of human souls. The social relations are broken and stagnant. Everything is ripe for change, but even the two young revolutionaries are incapacitated, not knowing what to do, apart from rebelling. A stalemate. Treading water. The characters of Turgenev's past are nightmarishly present-day characters even now."
Stuber Andrea naplója
Kutszelistilus.hu - Kutszegi Csaba


Press

Izaszínházbanjart.hu
Gyárfás Dorka írása

Interjú Tasnádi Bencével és Vizi Dáviddal - 24.hu

"Bence Tasnádi: The clash of views between generations, the age-related mindset and attitudes of older and younger people is always topical. In this sense, no matter when the play was written, these frictions have always been present and will always be present.
Dávid Vizi: It also shows how topical Fathers and Sons is that I often think of the FreeSZFE people. I can imagine what they must have felt when they were attacked, belittled or simply laughed at for reasons they said they did. But there are other interesting aspects to our performance, such as the way the boys destroy romanticism, taking up the fight against love."

Mezeinezo.blog.hu
Interjú Ascher Tamással - fidelio.hu

"The play is about the terrible gaps that separate generations," says Tamás Ascher. It would be inaccurate to translate the story of a hundred and seventy years into concrete political situations, because it is not possible to translate the Russian situation of the time into the Hungarian world of today. For me, it is the human behaviour in the work that is really interesting. How, while a situation is appropriate for some people, for certain age groups, it is intolerable for others, especially young people. The play explores the attitudes and strategies of those who want to change everything, and the behaviour of those who are bothered by this because they feel that everything is fine as it is. And there are a lot of sub-cases and variants of that. That's the gallery of variations and variations."